photography

Christian Stoll

Photography by Christian Stoll

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Matthias Heiderich

All photos by Matthias Heiderich

A Due Colori

Ink photographed underwater by Alberto Seveso.

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Justin Crawford & Samuel Lindsay for Tallow

Water Photography by Justin Crawford.
Landscape/Fashion Photography by Samuel Lindsay.
Sand drawings by Jim Denevan.

Photographed for Tallow, women’s surf and swim wear from Byron Bay.

Brice Bischoff


“Bronson Caves,” Brice Bischoff

Long exposure shots of artist Brice Bischoff with colored paper.

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Silence, Shapes


Filippo Minelli

Much more here.

Missing It

All photographs by Nick Lavecchia

Nick Lavecchia in my home state.

Glen Denny

All photographs by Glen Denny

I don’t climb. Caddie dabbles/d. Her brother most certainly does. We’re at his house for Thanksgiving, which is where I came across Glen Denny’sYosemite in the Sixties.” A fairly amazing book, a snapshot into the Yosemite climbing scene of the 1960s. First ascents, landscapes, preparation, camp life, climbing legends.

Tamas Dezso

All by Tamas Dezso

“Here, Anywhere” by Tamas Dezso

“The map of Hungary is speckled with capsules of time. During the political transformation twenty years ago, as the country experienced change it simply forgot about certain places – streets, blocks of flats, vacant sites and whole districts became self-defined enclosures, where today a certain out-dated, awkward, longed-to-be-forgotten Eastern Europeanness still lingers. There are places which seem to be at one with other parts of the city in a single space, but their co-existence in time is only apparent; places which decompose in accordance with their own specific chronology, determined by their past, such that what remains would then either be silently reconquered by nature or enveloped by the lifestyles of tomorrow’s generations. Of the inhabitants, who have never fully integrated with majority society, soon only traces will remain, until they, too, disappear in the course of time.

I do not observe these mini-universes in the hope of recording entirety, but rather aim to capture the essence of these worlds by elevating certain arbitrarily chosen details into embodiments of a disappearing existence. The series begun in 2009 examines the typically transitional period and symbolic locations of post-communist space which, due to disinterest or thoughtlessness, are slowly vanishing, fading into images, with the result that their inimitable existence may cease to be present by tomorrow. But for the time being, they are still around. Here.

Here, anywhere.”

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Mark Laita

North Pacific Giant Octopus, 2010. Whale Shark, 2010.

Photography by Mark Laita, from his book “Sea.”